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Hey Luke, what kind of lighting was on the letters? Were those lights color changing as well? The pictures above look like the letters have a red tint. Is that the light bulbs, paint on the letters, or just the lighting of the picture.
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They used DMX decoders for each LED strip so they could address them individually. This gave them flexibility in their lighting design. The LED backdrop could chase and each strip could be changed independently of the others. They used 360 watt power supplies for up to 6 DMX decoder per supply. Most of the power supplies had 4 or 5 decoders attached. By building them in this module format it allowed them to swap out components when one went bad.
The LED strip lighting was attached to 12 that had been painted black. This gave them the rigidity they needed and a way to support them. These were then zip-tied to aircraft cable that was stretched at 5-foot intervals and slid up into place. Using 18/4-thermostat wiring, they extended the LED strip wiring. That can be found at any home store.
As long as each of your LED strip lighting is addressed individually, you can program a chase. This is done in your lighting console. It would be the same as programing a chase with some old par cans. The fade of the chase would also be setup in your lighting console as well.
This is fantastic. I am the worship pastor at a church in Osage Beach, MO. I have some background experience in DMX lighting. The youth pastors, some key volunteers and I are planning to implement this by the end of February 2017 in time for Lent. We are excited; we are grateful for all of the instructions, the list of supplies, and the photos, as well as the comments. Thank you for posting and allowing us to use your creative ideas.
You should be able to find some cheap 5m RGB strip lighting anywhere on ebay or amazon for under 10.00. My suggestion is to order one of everything, demo it, and then purchase the rest. Always buy extra, because you are going to need it.
Felix Kunze needs no introduction; the German-born, English-raised, New York City photographer is a lighting legend. His photography classes, with their ease and simplicity in understanding light, have flipped the industry on its head. Today, we sit with him to talk about the industry, lessons he has learned, and pass along valuable advice on growing as a photographer at any level.
We asked Felix to think back to just starting in photography and to give us a little insight about his first few shoots that changed his photographic trajectory.My mother actually got me backstage access to a Juliet Lewis concert but I was terrified. Juliet was energetically forthcoming, and this was my first time needing to use artificial lighting; so I just pointed my flash into the red ceiling of the KoKo in London and hoped for the best.
I was always just drawn to portraits and my personality really lent myself well to capturing them. I was also assisting on the side, and that was a huge part of learning about the photo industry and lighting. Between photographing, assisting, learning lighting, and building relationships with other photographers in the industry; I grew the most.
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